, , ,

Yesterday Complete 7-Page Solo Jazz Piano Transcription (Paul Tobey)

$29.95

Captured live during a Jazzmentl Saturday morning livestream, this is a complete 7-page solo jazz piano transcription of Lennon and McCartney’s timeless ballad “Yesterday.” Performed by Paul Tobey in a bright, gently swinging F major (♩ = 77), this chart has been meticulously notated by our in-house genius, Przemyslaw Jaworucki. Highlights include: A hip II–V–sus vamp intro (D–7, G7, C7sus4, F), Lush add9, sus2 and minor-11 colors (F(add9), B♭Δ7sus2, E–11, G–(add9)), Altered dominants with ♭9 and ♯9 bite, Slash-chord bass lines and inner-voice movement that keep the harmony walking, and a free rubato ending that lets the last phrase breathe. Perfect for jazz pianists who want to make a pop classic swing without losing its heart.

Study the reharmonizations, the voice leading and the way the melody stays front and center. Includes the full transcription (7 pages) + direct link to the original livestream video. A must-have for any serious jazz piano library.

Straight from a live Jazzmentl Saturday morning masterclass comes this complete 7-page solo jazz piano rendition of “Yesterday,” the Lennon–McCartney ballad that just might be the most covered song of all time. The big question on that livestream was simple: can you jazz “Yesterday” without killing it? This chart is Paul Tobey’s answer. He keeps the melody singing, then slips fresh harmony underneath it until the tune feels brand new and still sounds like itself.

Our in-house transcription genius, Przemyslaw Jaworucki (the cat behind “Cry Me a River,” “Darn That Dream” and “The Way You Look Tonight”), has nailed every voicing, inner line and rhythmic nuance with care and pinpoint accuracy.

This chart is loaded with goodies:

  • A cool II–V–sus vamp intro (D–7, G7, C7sus4, F) that sets a relaxed, “brightly” groove at ♩ = 77 in F major
  • Lush, modern colors throughout: F(add9), B♭Δ7sus2, E–11, D–(add9), G–(add9), E–7(add11) and C6
  • Tasty altered dominants, including A7(♭9), A7(♭9♯9) and C7(♭9 add13), that give the bridge some real bite
  • Slash-chord bass motion (C/E, D–7/C, C7/B♭) and walking inner voices that keep the harmony moving under the melody
  • Two-handed block chords, triplet figures, syncopated left-hand comping and fills that answer the melody
  • A “Freely” rubato ending that lets the final phrase hang in the air

It’s more than notes on a page. It’s a working lesson in how to take a pop standard and give it jazz clothes without stepping on the tune. You’ll see how Paul reharmonizes familiar spots, how he keeps the melody on top while the inner voices move, and how a few well-placed sus chords and altered dominants change the whole mood.

This transcription is pure gold for intermediate and advanced players who want to stretch beyond the Real Book and build a solo piano book that swings. Learn the intro vamp, steal the voicings, then shed the reharmonized phrases one at a time until they sit under your fingers.

Whether you’re prepping for a gig, looking for a crowd-pleaser that still has some hip harmony in it, or just want to hear how a classic can groove, this is the real deal. Pair it with the original livestream video for the ultimate learning experience: play a phrase, listen back, and let the feel sink in. Dig in, stay hip, and make “Yesterday” sound like today.

To watch the full performance of this transcription, click the video below…

Select your currency
USD United States (US) dollar
Scroll to Top